Set of 7 weighted Chakra Tuning Forks, one for each chakra. In blue velvet storage bag. Tuned within a ±0,25% deviation margin.
Weighted Tuning Forks
These forks work more on the physical level. One can feel the vibration more strongly & at a deeper level, when its stem is placed on the body. This is due to the weights at the end of each prong. The sound lasts longer, but is softer & more diffused than unweighted tuning forks. The chakra tuning forks are heavier in weight and shorter in length than the same fork in unweighted type. These are excellent to use for pain relief, reducing inflammation and inducing relaxation. They are normally placed on the body or by the ears. To tone them, one can simply tap them on the palm of the hand or use the Tuning Fork Activator. The weighted tuning fork has a round weight at the end of each prong.
The Chakras are said to be “force centers” or whirls of energy permeating, from a point on the physical body, the layers of the subtle bodies in an ever-increasing fan-shaped formation (the fans make the shape of a love heart). Rotating vortices of subtle matter, they are considered the focal points for the reception and transmission of energies. The Chakra Set is a set of Tuning Forks that can be used with the chakra system. There are 7 Tuning Forks in this set. It is based on the mathematical rotation of the planets around our Sun. These forks are NOT based on a musical scale. They work more on the cosmic multi-dimensions of our chakras, our not-noticeable bodies or subtle parts. They also work on pathways as well as other gateways of energy. The planetary cycle of the solar system is used to arrive at accurate formulae upon which these tuning forks have been created. This links them to our cosmic multi-dimensional selves. This self is eternal, not noticeable and approachable through layers, ladders, gateways and manifold levels of energy. These tuning forks prepare pathways to a Cosmic Universal understanding of Life and our Soul’s infinite relationship to it.
In comparison, it is unlike the Harmonic Spectrum Set, which is tuned to the Pythagorean Scale (also known as the Just Scale) and is more in touch with the physical plane of existence, working on a more physical level. The physical plane is more concentrated, crystallised in definite form, cognitive, and revolves around the 5 human senses and various parts of our physical body like the tissues, fluids, bones, organs, etc. The Swiss mathematician and musicologist Hans Cousto developed these.
About the product
Length of the forks ranges from 17,5 to 21,5 cm
Tuned within a ±0,25% deviation margin
Comes in a blue velvet pouch, size 67x25cm
Material: aluminum
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This Singing Bowl is an original, hand hammered singing bowl from Nepal. It has a widened shape and a very special, long lasting sound. It weighs up to 300g. All singing bowls come with a wooden beater
Beaten Singing Bowls
Beaten or hand hammered singing bowls are made using a hand hammering process. This requires several processes to shape it into a perfect hand hammered singing bowl.
The manufacturers make each singing bowl with seven metals, copper, tin, zinc, iron, lead, gold and silver. They melt the metals in a furnace. The molten metal is then poured into die to prepare a metal mould for the various sizes and weights. Then, they cut the round metal moulds into round metal discs in the required size and thickness. Finally, they hand beat or hammer the discs and categorise them for weight and size.
They pile up several discs, one upon the other, and then heat them so they are red hot. The red hot metal sheets are hammered by a group of expert artisans, as long as the heat remains in the metal. They then reheat the metal to continue the beating process. Eventually they achieve the desired shape and size. However, this repetitive process is why the hammered or beaten singing bowls will all be different from each other in size and diameter.
They can only work on the metal when it is red hot. When the metal cools, it will loose its softness and flexibility, which in turn would make the metal brittle. If worked upon when the metal is too cool the bowl will crack and break.
Please click here to return to the main Singing Bowls page.
Please click here to find out more about singing bowls.
This Singing Bowl is an original, hand hammered singing bowl from Nepal. It has a widened shape and a very special, long lasting sound. It weighs up to 1,050g. All singing bowls come with a wooden beater
Beaten Singing Bowls
Beaten or hand hammered singing bowls are made using a hand hammering process. This requires several processes to shape it into a perfect hand hammered singing bowl.
The manufacturers make each singing bowl with seven metals, copper, tin, zinc, iron, lead, gold and silver. They melt the metals in a furnace. The molten metal is then poured into die to prepare a metal mould for the various sizes and weights. Then, they cut the round metal moulds into round metal discs in the required size and thickness. Finally, they hand beat or hammer the discs and categorise them for weight and size.
They pile up several discs, one upon the other, and then heat them so they are red hot. The red hot metal sheets are hammered by a group of expert artisans, as long as the heat remains in the metal. They then reheat the metal to continue the beating process. Eventually they achieve the desired shape and size. However, this repetitive process is why the hammered or beaten singing bowls will all be different from each other in size and diameter.
They can only work on the metal when it is red hot. When the metal cools, it will loose its softness and flexibility, which in turn would make the metal brittle. If worked upon when the metal is too cool the bowl will crack and break.
Please click here to return to the main Singing Bowls page.
The Meditation Cushion Crescent Moon Black is a Yogi & Yogini Black crescent shaped meditation cushion with a dark red handle.
Also, made from cotton and filled with buckwheat chaff. In addition, the meditation cushion is 33cm in diameter and 13cm in height.
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The Tingsha Bells Om come decorated with the Om mani padme hum mantra. This is the mantra of compassion and of purifying. In addition, used in balancing the male energy of method and the female energy of wisdom.
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The Crystal Singing Bowl tunes to C. In addition, it comes with mallet and rubber stability ring.
These beautifully crafted crystal singing bowls play with wonderful, powerful, sounds. They are pure powdered quartz crystals which are heated to several thousand degrees. This integrates the individual particles of the quartz powder and a bowl forms. They then individually tune them to a specific musical note.
The size of the bowl affects the pitch. A small bowl produces a much higher pitched note than the note produced by a large bowl. In general higher pitches have an uplifting, cleansing effect whilst lower pitches tend to be more relaxing and grounding. We all respond differently to particular sounds, and so the effect on individuals of the same bowl can be quite different.
Sound two or more crystal bowls together and the sound waves weave and mingle with each other to form beautiful flowing harmonics. That is provided they are harmoniously tuned together. These harmonics surround us and the vibrations will have different effects on different people depending what is happening in their lives. In therapy, the healing tones of the quartz crystal bowls are mainly used to help re-balance and harmonise.
It is best for you and anyone in the proximity of the bowl if you don’t play it for longer than 15 – 20 minutes at a stretch. Take a break of at least 15 minutes so as to not overloaded the body with energy. Players often forget that they are also receiving an energy treatment! Always have the highest intention in your mind at the outset of playing as the bowl becomes an extension of you while you are playing it.
You will probably get the best results if you take some time to prepare yourself before sounding a crystal bowl. A simple breathing exercise can help. You may wish to visualize the colour that corresponds to the bowl or surround yourself with pure white light.
Please click here to return to the main Singing Bowls page.
This Medicine Buddha Singing Bowl comes with an image of the Medicine Buddha portrayed at the bottom of the bowl. All singing bowls come with a wooden beater.
Beaten Singing Bowls
Beaten or hand hammered singing bowls are made using a hand hammering process. This requires several processes to shape it into a perfect hand hammered singing bowl.
The manufacturers make each singing bowl with seven metals, copper, tin, zinc, iron, lead, gold and silver. They melt the metals in a furnace. The molten metal is then poured into die to prepare a metal mould for the various sizes and weights. Then, they cut the round metal moulds into round metal discs in the required size and thickness. Finally, they hand beat or hammer the discs and categorise them for weight and size.
They pile up several discs, one upon the other, and then heat them so they are red hot. The red hot metal sheets are hammered by a group of expert artisans, as long as the heat remains in the metal. They then reheat the metal to continue the beating process. Eventually they achieve the desired shape and size. However, this repetitive process is why the hammered or beaten singing bowls will all be different from each other in size and diameter.
They can only work on the metal when it is red hot. When the metal cools, it will loose its softness and flexibility, which in turn would make the metal brittle. If worked upon when the metal is too cool the bowl will crack and break.
Please click here to return to the main Singing Bowls page.
This Singing Bowl is an original, hand hammered singing bowl from Nepal. It has a widened shape and a very special, long lasting sound. It weighs up to 825g. All singing bowls come with a wooden beater
Beaten Singing Bowls
Beaten or hand hammered singing bowls are made using a hand hammering process. This requires several processes to shape it into a perfect hand hammered singing bowl.
The manufacturers make each singing bowl with seven metals, copper, tin, zinc, iron, lead, gold and silver. They melt the metals in a furnace. The molten metal is then poured into die to prepare a metal mould for the various sizes and weights. Then, they cut the round metal moulds into round metal discs in the required size and thickness. Finally, they hand beat or hammer the discs and categorise them for weight and size.
They pile up several discs, one upon the other, and then heat them so they are red hot. The red hot metal sheets are hammered by a group of expert artisans, as long as the heat remains in the metal. They then reheat the metal to continue the beating process. Eventually they achieve the desired shape and size. However, this repetitive process is why the hammered or beaten singing bowls will all be different from each other in size and diameter.
They can only work on the metal when it is red hot. When the metal cools, it will loose its softness and flexibility, which in turn would make the metal brittle. If worked upon when the metal is too cool the bowl will crack and break.
Please click here to return to the main Singing Bowls page.
This Singing Bowl is an original, hand hammered singing bowl from Nepal. It has a widened shape and a very special, long lasting sound. It weighs up to 600g. All singing bowls come with a wooden beater
Beaten Singing Bowls
Beaten or hand hammered singing bowls are made using a hand hammering process. This requires several processes to shape it into a perfect hand hammered singing bowl.
The manufacturers make each singing bowl with seven metals, copper, tin, zinc, iron, lead, gold and silver. They melt the metals in a furnace. The molten metal is then poured into die to prepare a metal mould for the various sizes and weights. Then, they cut the round metal moulds into round metal discs in the required size and thickness. Finally, they hand beat or hammer the discs and categorise them for weight and size.
They pile up several discs, one upon the other, and then heat them so they are red hot. The red hot metal sheets are hammered by a group of expert artisans, as long as the heat remains in the metal. They then reheat the metal to continue the beating process. Eventually they achieve the desired shape and size. However, this repetitive process is why the hammered or beaten singing bowls will all be different from each other in size and diameter.
They can only work on the metal when it is red hot. When the metal cools, it will loose its softness and flexibility, which in turn would make the metal brittle. If worked upon when the metal is too cool the bowl will crack and break.
Please click here to return to the main Singing Bowls page.